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Helena Modjeska Biography
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| Through most of her American career, Modjeska directed her own |
| company. As his wife's personal manager, Karol Chlapowski accompained her |
| everywhere as she and her acting company traveled for nine months each year |
| by railroad, steamship, and horse and buggy. Modjeska appeared in eight |
| performances every week, not only in the great theaters of Boston and New |
| York, but also in the makeshift halls and so-called opera houses of rural America. |
| Although she never completely lost her Polish accent, Modjeska's became |
| America's most distinguished Shakespearean actress of the 1880's and 1890's. |
| Some theater critics, expecially in England, claimed that foreigners could not |
| correctly interpret Shakespeare. Toward the end of her life, the Polish actress |
| wrote: |
| "Whenever my pronunciation was found fault with, I could do nothing but |
| accept the criticism in all humility and endeavor to correct the deficiencies of my |
| tongue; yet I persisted without discouragement, and went on studying more and |
| more Shakespearean parts, conscious that their essential development consisted |
| of the psychological development of the characters, and confident that I |
| understoon them correctly and might reproduce them according to the author's |
| intentions." |
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| Modjeska's acting partners included Maurice Barrymore, Otis Skinner, and |
| Edwin Booth who was regarded at the finest Shakespearean actor of his age. |
| She was venerated for her high artistic ideals and for her training of many young |
| actors who went on to form their own companies. Altogether, in Poland, |
| England, and the United States, Modjeska played a total of 256 dramatic roles. |
| English-language plays in which she appeared included Adrienne Lecouvreur, |
| Hamlet, Romeo and Juliet, Camille, Dalila, Peg Woofington, Frou-Frou, East |
| Lynne, Mary Stuart, As You Like It, Twelfth Night, Juana, Odette, Cymbeline, A |
| Doll's House (Thora), Nadjezda, Prince Zillah, Donna Diana, Two Gentlement of |
| Verona. The Chouans, Daniela, Measure for Measure, Much Ado About Nothing, |
| Richelieu, Macbeth, The Merchant of Venice, The Tragic Mask, The Countess |
| Rondine, Henry VIII, Magda, Mistress Betty, Antony and Cleopatra, Marie |
| Antoinette, The Ladies Battle, and King John. |
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| All information is Copyright by The Helena Modjeska Foundation |